Manuela es una niña de siete años que sueña con ser una gran bailarina, vestirse con trajes de lunares, zapatos de tacón y flores en el pelo.
Su sueño finaliza cada vez que despierta y comprueba que no era real.
El hada de los sueños la llevará por un mundo de enseñanza del flamenco a través del compás, el movimiento de las manos y brazos, el redoble de los pies sobre el suelo, al bastón, el abanico, el mantón y la bata de cola.
Para llegar a su meta, el hada de los sueños contará con la ayuda de los muñecos y los amigos inseparables de Manuela que, con sus instrumentos y letras infantiles adaptadas al compás flamenco, nos llevarán por un mundo mágico muy divertido en el que valores como la esperanza, el esfuerzo, la amistad y el apoyo nos transmitirán la verdadera esencia de la obra, la lucha por los sueños.
Arcángel (Huelva, 1977), has been a name of reference in flamenco practically since he began as a professional singer around the age of 15. In its echo and in its way of understanding flamenco singing, a deep knowledge and respect for the roots of flamenco coexist naturally with an incessant interest in finding new paths of development for flamenco art: it is in this delicate and beautiful line (so many times quoted, so rarely heard or even intuited) that separates tradition and the avant-garde where the conception of the Huelva cantaor's art resides.
Jerónimo Maya, a true genius of the instrument, a direct descendant of the legendary guitarist Ramón Montoya, began his musical career at the early age of five and immediately began to be recognized as a "wonder child" by the public and by the flamenco community, receiving the recognition of great masters such as Sabicas or Paco de Lucia. His touch, in addition to being virtuous, brims with personality and character. His complex harmonies and his musical conception are ahead of his time.
She is one of the most prestigious cantaoras on the current flamenco scene. She has the endorsement of the recognition of the critics, the collective acquiescence of the action and an interesting wad of awards. But her most widespread recognition comes from the public, who appreciate her precious and serene cante, full of nuances.